Not only Stravinsky himself rehashed his 'Histoire du Soldat' at will in later transcriptions, other celebrities such as Frank Zappa and Wynton Marsalis also made off with this 'melodrama for a speaker , dancer and small ensemble'. The country's top brass players I Solisti del Vento play the original version from 1918 purely instrumentally, without the spoken and danced interventions. The limited instrumental line-up in 'L'Histoire' was partly determined by the limited financial resources during the war. The specific choice of four wind instruments - including clarinet and trombone - violin, double bass and percussion, as well as the jazzy rhythm, are the result of Stravinsky's discovery of American ragtime. The final piece of this period and also a prelude to his neoclassical period is the 'Octet for wind instruments' from 1922. It is a literal dream composition, in which Stravinsky wrote down the beautiful music that he heard played in a dream the night before by eight different wind instruments. The Russian-French program is supplemented with 'Der blaue Harlekin', a tribute to Pablo Picasso by the German composer Volker David Kirchner.